Criteria of the "Vraisemblable" in Baroque Literature and Painting

Código QR

Criteria of the "Vraisemblable" in Baroque Literature and Painting : Marlies E. Kronegger

Detalhes bibliográficos
Publicado no:	Literature and the other arts.(1981) S. 85-
Autor principal:	Kronegger, Marlies E. (VerfasserIn)
Formato:	Artigo
Idioma:	German
Exemplares Relacionados:	In: Literature and the other arts.(1981)

Registos relacionados

Criteria in selection of black literature for children
Por: Young, Jacqueline Lee

Two criteria for an ideal language
Por: Bergmann, Gustav

Criteria of Contemporary Literary Criticism in India
Por: Kripalani, Krishna

Privileged Criteria in Literary Evaluation [1969]
Por: Hirsch, Eric Donald

Le Vrai et le Vraisemblable : Rhétorique et poétique
Publicado em: (2006)

Le baroque
Por: Stoppa, Paule

Le Baroque
Por: Cattaui, Georges

Painting
Por: Lopes, Dominic McIver

Painting
Por: MacIver Lopes, Dominic

Painting
Por: Feagin, Susan

German baroque literature : a catalogue of the collection in the Yale University Libary
Por: Faber du Faur, Curt von
Publicado em: (1958)

Vraisemblable(e) et idéologie dans "Les Habits Noirs"
Por: Neveu, Érik

Hispanic Baroques : reading cultures in context
Publicado em: (2005)

Neo-Baroque : a sign of the times
Por: Calabrese, Omar
Publicado em: (1992)

Literature, painting and music : an interdisciplinary approach to comparative literature
Por: Egri, Peter
Publicado em: (1988)

Baroque et classicisme
Por: Tapié, Victor-L
Publicado em: (1972)

Avant-Garde Literature and Painting
Por: Flaker, Aleksandar

The paintings are dead
Por: Salle, David

Modernist painting
Por: Greenberg, Clement

Nature Paints
Por: Daston, Lorraine

Vision and painting : the logic of the Gaze
Por: Bryson, Norman
Publicado em: (1995)

The Literary Baroque in the Iberian Penisula
Por: Belchior Pontes, Maria de Lourdes

Literary baroque and literary neoclassicism
Por: Parry, Graham

Murphy ou Beckett baroque
Por: Topia, André

Fiction and reality in painting
Por: Podro, Michael

Le baroque de la banalité
Por: Barck, Karlheinz

Painting and politics : Miróęs "still life with old shoe" and the Spanish Republic
Por: Lubar, Robert S.

How to taste a painting
Por: Stoichita, Victor I.

Romantic Poetry in Relation to Painting
Por: Pigarev

Harmonic Force in Cinquecento Painting
Por: Cole, Christian W.

Rilke's Relation to Russian Painting
Por: Brodsky, Patricia P.

Comment on 'Fiction and Reality in Painting'
Por: Kuhns, Richard

The other symbolist inheritance in painting
Por: Ashton, Dore

The scar of the foreigner and the fold of the baroque : national affiliations and homosexuality in Gombrowicz's "Trans-Atlantyk"
Por: Ziarek, Ewa Plonowska

Zur Radierung "Souterrain Baroque" von Bellmer
Por: Döpp, Hans-Jürgen

Reframing Celan in the paintings of Anselm Kiefer
Por: Kligerman, Eric

Thoughts on the imitation of the painting and sculpture of the Greeks
Por: Winckelmann, Johann Joachim

Contribution to a typology of symbolist painting
Por: Németh, Lajos

Ownership as painting process : painterly alterations and artist's signatures in eighteenth-century Europe and China
Por: Musillo, Marco

Marina Abramovics 'Balcan Baroque' : das Zeugnis der Knochen und die Sorge um die Opfer
Por: Wagner, Monika