Blade runner : final cut

Código QR

Blade runner : final cut / starring Harrison Ford, Rutger Hauer, Sean Young. Screenplay by Hampton Fancher. Based on the novel "Do androids dream of electric sheep?" by Philip K. Dick. Dir. by Ridley Scott

Detalhes bibliográficos
Outros Autores:	Scott, Ridley (MitwirkendeR), Fancher, Hampton (MitwirkendeR), Dick, Philip K. (MitwirkendeR), Ford, Harrison (MitwirkendeR), Hauer, Rutger (MitwirkendeR), Young, Sean (MitwirkendeR)
Formato:	Desconhecido
Idioma:	German English Spanish
Publicado em:	[Hamburg] : Warner Home Video, 2008
Edição:	Final cut

Registos relacionados

(Part I: Blade)
Por: Van Gelder, Hilde, et al.
Publicado em: (2021)

The fastest runner on sixty-first street
Por: Farrell, James T.

Car makers and marathon runners : in pursuit of culture through the language of leadership
Por: Piccardo, Claudia, et al.

Final Words
Por: Derrida, Jacques

Cut, Cut - vom Zusammenschneiden dadaistischer Collagen
Por: Burmeister, Ralf

Creation cuts
Por: Arte, Alte

Short cuts
Por: Foerster, Heinz von
Publicado em: (2001)

Short cuts
Por: Foucault, Michel
Publicado em: (2001)

Short cuts
Por: Kittler, Friedrich A.
Publicado em: (2002)

Space : the final frontier
Por: Holland, Peter

The final comedy of Lemuel Gulliver
Por: Ross, John f.

Cutting edges : contemporary collage
Publicado em: (2011)

CUTTING : Schnittmuster weiblicher Avantgarde
Por: Vogel, Juliane

The final whistle : the Great War in fifteen players
Por: Cooper, Stephen
Publicado em: (2012)

Final Communiqué of the Asian-African Conference

Object and final cause in Peirce's semeiotic
Por: Pape, Helmut

Rauheit des Realen : short cuts
Por: Roos, Theo

Science as an agent of change : Finalization and experimental implementation
Por: Krohn, Wolfgang, et al.

Un point final à l'"Historikerstreit". Quand fut donné l'ordre de la solution finale
Por: Poliakov, Léon

Cut-ups as form and device in contemporary culture
Por: Baryshnikova, Daria

The long stay cut short, or, the unsatisfactory supper
Por: Williams, Tennessee

At the limits of historicization : the "Final Solution", the holocaust, and the assimilation of history
Por: Fritzsche, Peter

Achidi J's Final Hours : this thing that happened in Aschaffenburg.
Por: Evans, Amy

Das Cut-Up als Schnittstelle der Intermedialität
Por: Huber, Hans Dieter

Cut`n`Mix. Die Neuerfindung des Körpers
Por: Klein, Gabriele

On the cutting edge : cosmetic surgery and the technological production of the gendered body
Por: Balsamo, Anne

Modernism Cut in Half : the Exclusion of the Avant-garde and the Debate on Postmodernism
Por: Lethen, Helmut

Cut-Up : über eine Gegenrinnsal unterhalb des Popstorms
Por: Ullmaier, Johannes

Cut and paste um 1900 : der Zeitungsausschnitt in den Wissenschaften
Publicado em: (2002)

"Jumps - Cuts - Links" : ästhetische Antizipationen der neuen Medien
Por: Scheunemann, Dietrich

"Brod und Wein" : from the "classical" final version to the later revision
Por: Böschenstein, Bernhard

Cut-up "shortest stories" : the examples of Helmut Heißenbüttel and Ror Wolf
Por: Riha, Karl

Semiotics of Power, Peace and War : the 'Helsinki Final Act' and USA Defense Strategy
Por: Ponzio, Augusto

Final del siglo XIX y principios del XX. Segunda ed.
Por: Baroja, Pío, et al.
Publicado em: (1951)

Poetisches Paperwork : Pfropfung und Collage im Spannungsfeld von 'Cut and Paste'
Por: Wirth, Uwe

"A number of scenes in a badly cut film" : Observation in the age of Strobe
Por: Canales, Jimena

Making the cut: the interplay of narrative and system, or what systems theory can't see
Por: Hayles, N. Katherine

Finale : Bill Medley & Jennifer Warnes '(I've had) The Time of my life'
Por: Kirchhoff, Christine

Study on the economic and technical evolution of the scientific publication markets in Europe : final report - January 2006
Publicado em: (2006)