Touchscreen capture : kommunikativer Kapitalismus und Pseudo-Gegenwart / Mark Fisher
Publié dans: | Absolute Gegenwart.([2016]) S. 54 - 73 |
---|---|
Auteur principal: | Fisher, Mark (Auteur) |
Format: | Article |
Langue: | German |
Documents similaires: | In:
Absolute Gegenwart.([2016]) |
Documents similaires
-
Captured emotions : Baroque painting in Bologna, 1575 - 1725 ; this catalogue is published in connection with an exhibition co-organized by the J. Paul Getty Museum and the Staatliche Kunstsammlungen Dresden ; [. presented at the J. Paul Getty Museum December 16, 2008 - May 3, 2009.]
Publié: (2008) -
Capturing unstable media arts : a formal model for describing and preserving aspects of electronic media art
par: Frommé, Rens, et autres -
Pseudo-Barthes
par: Miller, Jacques-Alain -
Formen kommunikativer Normalisierung
par: Makropoulos, Michael -
Kritik der Pseudo-Aktivität
par: Adorno, Theodor W.