The Qualification of Cinema as Authentic Art : The 'Politique des Auteurs'

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The Qualification of Cinema as Authentic Art : The 'Politique des Auteurs' / Almut Steinlein

Sonraí bibleagrafaíochta
Foilsithe in:	Cultures of lying : theories and practice of lying in society, literature, and film.(2007) S. 361 - 372
Príomhchruthaitheoir:	Steinlein, Almut (Údar)
Formáid:	Alt
Teanga:	German
Le fáil in:	In: Cultures of lying : theories and practice of lying in society, literature, and film.(2007)

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Authenticity in performance
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Authenticity in performance
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The myth of authenticity
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Vicariousness and authenticity
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Authenticity and suburbia
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Science, art, and authenticity in natural history displays
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Authentic ruins : products of modernity
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Authenticity as Mask : Wolfgang Hildesheimer's "Marbot"
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Identity and the Spaces of Authenticity
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White-boy authenticity
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Authenticity and documentary method
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The myth of authenticity : representation, discours and social practice
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Performing authenticity : Henri Bertin's Chinese house as site of immersive experience and exercising authority
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After authenticity at an American heritage site
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Loos, Kraus, Wittgenstein, and the problem of authenticity
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En deca et au delà : zum kulturellen Raum filmischer Synchronisation am Beispiel von "L'aile ou la cuisse"
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Sankofa and Modern Authenticity in Ghanaian Film and Television
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Ruin cinema
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Surveillance cinema
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Roman - cinéma
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Science and the cinema
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Shakespeare and the cinema
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Language and cinema
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Transnational cinema : the film reader
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Arab Cinema : history and cultural identity
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reincarnation in western cinema
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