Re-staging histories and identities

Mã QR

Re-staging histories and identities : Rosmarie Beier-de Haan

Chi tiết về thư mục
Xuất bản năm:	A companion to museum studies.(2006) S. 186 - 197
Tác giả chính:	Haan, Rosmarie Beier-de (Tác giả)
Định dạng:	Bài viết
Ngôn ngữ:	German
Các quyển sách có liên quan:	In: A companion to museum studies.(2006)

Những quyển sách tương tự

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Staging an Empire
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The utopic stage
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The stage setup
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Shakespeare on the page and the stage
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Shakespeare and the Victorian stage
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Staging the impossible : the fantastic mode in modern drama
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The oriental body on the european stage : Producing turkish cultural identity on the margins of Europe

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The staging of the gaze : aesthetic illusion and the scene of nature in the eighteenth century
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Stages of Vision : Bild, Körper und Medium im Theater
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The Fourth Stage : Through the Mysteries of Ogun to the Origin of Yoruba Tragedy
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Re-constructions of National Identity in the Recent Work of V. S. Naipaul
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Brecht and stage design : the 'Bühnenbildner' and the 'Bühnenbauer'
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Transitions and Traditions on Stage : the "Theatre for Change" in Georgia
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Problems of translation for the stage : interculturalism and post-modern theatre
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Staging knowledge : Inszenierung von Wissensräumen als Forschungsstrategie und Ausstellungsformat ; eine Auswahl von Ausstellungsproduktionen, 1998 - 2013
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Acts of identity in the history of the Pitcairn/Norfolk language
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The staging of politics and the "Folklorization" of political discourse
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Pictorial magic and the staging of the body politic
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Euro(re)vision : Medien, Revolution, Historie
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Re - Sc
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Pa - Re
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Re: the Rainbow
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(Re)Oralisierung
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Re-fashioning identity in post-apartheid South African music : a case for Isicathamiya choral music in KwaZulu-Natal
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"All Berlins's a stage" : die kulturpolitischen Aktivitäten des vereinigten Königreichs
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History, oral memory and identity in Toni Morrison's "Beloved"
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Stagings made in Namibia : Postkoloniale Fotografie; [anlässlich der Ausstellung Stagings Made in Namibia. Postkoloniale Fotografie, Bethanien Berlin, ehemalige Kapelle in Kooperation mit dem Kunstraum Kreuzberg, Bethanien, März - April 2009, Folgeausstellung National Art Gallery of Namibia, Windhoek, August - September 2009]
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Staging the pre-scription of gender : Manuel Puig's 'La traición de Rita Hayworth'
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Identifying Identity : A Semantic History (1938)
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Heiner Müller's "Mommsen's Block" and the languages of the stage
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From Staged to Disguised Self-Translation : Heine and Celan in France
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Identities
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Identity
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Identities
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'One Step on Australien Soil and You're History' : "Our Man K." and the White Australia Policy
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