Science, art, and authenticity in natural history displays

QR Code

Science, art, and authenticity in natural history displays : Lynn K. Nyhart

Détails bibliographiques
Publié dans:	Models : the third dimension of science.(2004) S. 307 -338
Auteur principal:	Nyhart, Lynn K. (Auteur)
Format:	Article
Langue:	German
Documents similaires:	In: Models : the third dimension of science.(2004)

Documents similaires

Authenticity in art
par: Dutton, Denis

The politics of display : museums, science, culture
Publié: (2006)

Modern nature : the rise of the biological perspective in Germany
par: Nyhart, Lynn K.
Publié: (2009)

Event Display : Virtualisierung in der Teilchenphysik
par: Grab, Christoph

The Qualification of Cinema as Authentic Art : The 'Politique des Auteurs'
par: Steinlein, Almut

Dissection on display : cadavers, anatomists, and public spectacle
par: Quigley, Christine
Publié: (2012)

Authentic / Artificial
par: Reed, Anthony

Authenticity in performance
par: Young, James O.

Authenticity in performance
par: Young, James O.

The myth of authenticity
par: Griffiths, Gareth

Vicariousness and authenticity
par: Wilson, Catherine

Authenticity and suburbia
par: Chaney, David

Weiche Displays : Projektionen auf Rauch, Wolken und Nebel
par: Schmidt, Gunnar
Publié: (2011)

The visual display of quantitative information
par: Tufte, Edward R.
Publié: (1993)

Natural Science and Western Art : A Bibliographical Mapping
par: Korte, Barbara

Authentic ruins : products of modernity
par: Huyssen, Andreas

Authenticity as Mask : Wolfgang Hildesheimer's "Marbot"
par: Hamburger, Käte

Identity and the Spaces of Authenticity
par: Keith, Michael

White-boy authenticity
par: Brennan, Tim

Authenticity and documentary method
par: Dickinson, Margaret

The myth of authenticity : representation, discours and social practice
par: Griffiths, Gareth

Questioning 'Authenticity' : the Case of Contemporary Zimbabwean Stone Sculpture
par: Skogh, Elin

Kundekunde, oder: das Allgemeine im Museum
par: Nyhart, Lynn K.

Biology takes form : animal morphology and the German universities, 1800 - 1900
par: Nyhart, Lynn K.
Publié: (1995)

Science Art
par: Franke, Herbert W.

Art @ science
Publié: (1998)

Zwischen Depot und Display : Museumstechniken in der Literatur des 19. Jahrhunderts
par: Vedder, Ulrike

Performing authenticity : Henri Bertin's Chinese house as site of immersive experience and exercising authority
par: Schürmann, Xenia

Technical Art History : The Synergy of Art, Conservation and Science
par: Hermens, Erma

Re-Visionen des Displays : Ausstellungsszenarien, ihre Lektüren und ihr Publikum ; [Symposium "Re-Visionen des Displays: Ausstellungs-Szenarien, Ihre Lektüren und Ihr Publikum" am 28. - 30. Juni 2007]
Publié: (2008)

History of Science and the Emotions
Publié: (2016)

The Cambridge history of science
Publié: (2003)

Emerging out of Nature into History : the Plurality of the Sciences
par: Ziman, John

After authenticity at an American heritage site
par: Gable, Eric, et autres

Loos, Kraus, Wittgenstein, and the problem of authenticity
par: Barnouw, Dagmar

Art, science and consciousness
par: Awret, Uziel
Publié: (2000)

Science and the arts in the Renaissance
Publié: (1985)

The science of art : optical themes in western art from Brunelleschi to Seurat
par: Kemp, Martin
Publié: (1990)

Natural history : rethinking the 'Bergfilm'
par: Baer, Nicholas

Art's "contest with nature" : Darwin, Haeckel, and the scientific art history of Alois Riegl
par: Morton, Marsha