Experimental, Visual, and Concrete Poetry: a Note on Historical Context and Basic Concepts

QR-Code

Experimental, Visual, and Concrete Poetry: a Note on Historical Context and Basic Concepts : Johanna Drucker

Bibliographische Detailangaben
Veröffentlicht in:	Experimental - visual - concrete : Avant-Garde Poetry since the 1960s.(1996) S. 39-
VerfasserIn:	Drucker, Johanna (VerfasserIn)
Format:	Aufsatz in Zeitschrift
Sprache:	German
Ähnliche Datensätze:	In: Experimental - visual - concrete : Avant-Garde Poetry since the 1960s.(1996)

Ähnliche Einträge

Experimental - visual - concrete : Avant-Garde Poetry since the 1960s
Veröffentlicht: (1996)

Critical perspectives on experimental, visual, and concrete poetry : an introduction to this volume (with an appendix on Carlfriedrich Claus)
von: Vos, Eric

Concrete Poetry
von: Bezzel, Chris

Concrete poetry : a generic perspective
von: Reis, Pedro

Concrete poetry : critical perspectives from the 90s
von: Clüver, Claus

Swedish concrete poetry on focus
von: Björck, Amelie

On experimental poetry
von: Basinski, Michael

Is a "History of Basic Concepts of the Twentieth Century" possible? : a polemic
von: Sarasin, Philipp
Veröffentlicht: (2012)

Brazilian Concrete: Painting, Poetry, Time, and Space
von: Clüver, Claus

Visual poetry, verbo-visual writing
von: Pignotti, Lambert

The basic frame
von: Lerner, Max, et al.
Veröffentlicht: (1964)

Some thoughts on a history of Twentieth-Century German basic concepts
von: Steinmetz, Willibald
Veröffentlicht: (2012)

The Arabian nights in historical context : between East and West
Veröffentlicht: (2008)

Concepts, contests and contexts : conceptual history and the problem of translatability
von: Kontler, László

Andrei Belyi's experimental poetry
von: Steinberg, Ada

The reenchantment of the concrete
von: Varela, Francisco

Indeterminacy and concretization
von: Sadzik, Piotr

In search of basic symbols
von: MacKay, Donald M.

Remarks on the historicity of the media concept
von: Eliassen, Knut Ove

Notes on the poetry of Deep Image
von: Kelly, Robert

Traveling Concepts, Discursive Collisions and Walls of Concrete. Deconstruction in Architecture
von: Hoesterey, Ingeborg

Historical cousciousness, aesthetics and the experimental southern novel
von: Hoffmann, Gerhard

Subjectivity as a basic presupposition of modernity in music
von: Massow, Albrecht von

The aesthetics of visual poetry, 1914 - 1928
von: Bohn, Willard
Veröffentlicht: (1986)

The historical genesis of Kantian concept of 'transcendental'
von: Sgarbi, Marco
Veröffentlicht: (2011)

The Concept of the Historical Self in Brother to Dragon
von: Simpson, Lewis P.

Some notes on Auden's early poetry
von: Isherwood, Christopher

Basic Instinct(s) und Geschlechterkampf
von: König, Hans-Dieter

Concrete steps to an anthology
von: Solt, Mary Ellen

The seven basic plots : why we tell stories
von: Booker, Christopher
Veröffentlicht: (2004)

Starting with zero: basic marxism : [introduction]
von: Rivkin, Julie, et al.

On the German Popular Front Novel in Historical and International Context
von: Bivens, Hunter

Henri Michaux - Towards an experimental quantum poetry
von: Halpern, Anne-Elisabeth

Change and the concept of history in the canadian historical novel
von: Hatch, Ronald

On the Historic and Esthetic Relationship of Fiction, Music and Poetry
von: Egri, Peter

Ingarden and the Concretization of the Literary Text
von: Odmark, John

Visual arts as a source of inspiration for Czech avant-garde poetry
von: Grygar, Mojmir

Stochastics of sex and death in "Basic" film "Instinct"
von: Cohen, Alain J.-J

Stefan Zweig's concept of Brazil in the context of German-Jewish emigration
von: Eckl, Marlen

Herder's "German Kind of 'Humanity'" and the Jewish Question: Historical Context and Contemporary Criticism
von: Menze, Ernest