The construction of authorship : textual appropriation in law and literature

QR رمز

The construction of authorship : textual appropriation in law and literature / Martha Woodmansee and Peter Jaszi, editors

التفاصيل البيبلوغرافية
مؤلفون آخرون:	Woodmansee, Martha (المحرر), Jaszi, Peter (المحرر)
التنسيق:	كتاب
اللغة:	German
منشور في:	Durham [u.a.] : Duke Univ. Press, 1999
الطبعة:	2. print.
سلاسل:	Post-contemporary interventions
الموضوعات:	Autorschaft Urheberrecht Aufsatzsammlung
المحتويات/الأجزاء:	21 تسجيلات

1. The author in court: "Pope v. Curll" (1741)

2. Reading and writing the renaissance commonplace book : a question of autorship?

3. Sanctioning voice: quotation marks, the abolition of torture, and the fifth amendment

4. Authority and authenticity: scribbling authors and the genius of print in eighteenth-century England

5. The author in copyright : notes for the literary critic

6. From rights in copies to copyright : the recognition of authors' rights in English law and practice in the sixteenth and seventeenth centuries

7. Author/izing the celebrity: publicity rights, postmodern politics, and unauthorized genders

8. On the author effect: contemporary copyright and collective creativity

9. On the author effect: recovering collectivity

10. Collaborative authorship and the teaching of writing

11. Authorship and the concept of national cinema in Spain

12. The pragmatics of genre: moral theory and lyric authorship in Hegel and Wordsworth

13. Touching words: Helen Keller, plagiarism, authorship

14. "Don't have to DJ no more": sampling and the "autonomous" creator

15. Beaumont and/or Fletcher : collaboration and the interpretation of renaissance drama

16. International copyright: structuring "the condition of modernity" in British publishing

17. Broadcast copyright and the bureaucratization of property

18. Common properties of pleasure : texts in nineteenth century women's club

19. Charles Dickens, international copyright, and the discretionary silence of "Martin Chuzzlewit"

20. Milton's contract

21. The interdisciplinary future of copyright theory