Neo-avantgarde and culture industry : essays on European and American art from 1955 to 1975
| Prif Awdur: | |
|---|---|
| Fformat: | Llyfr |
| Iaith: | German |
| Cyhoeddwyd: |
Cambridge, Mass. [u.a.] :
MIT Press,
2000
|
| Cyfres: | October books
|
| Pynciau: |
Tabl Cynhwysion:
- Michael Asher and the conclusion of modernist sculpture
- Beuys: the twilight of the idol : preliminary notes for a critique
- Marcel Broodthaers: Open letters, industrial poems
- The museum and the monument : Daniel Buren's "Les couleurs / les formes"
- Memory lessons and history tableaux : James Coleman's archaelogy of spectacle
- Moments of history in the work of Dan Graham
- Hans Haacke: Memory and instrumental reason
- Hantaï / Villeglé and the dialectics of painting's dispersal
- Plenty or nothing : from Yves Klein's "Le vide" to Arman's "Le plein"
- Knight's moves : Situating the art/object
- Structure, sign, and reference in the work of David Lamelas
- Parody and appropriation in Francis Picabia, pop, and Sigmar Polke
- Readymade, photography, and painting in the painting of Gerhard Richter
- Process sculpture and film in Richard Serra's work
- Spero's other traditions
- Villeglé: from fragment to detail
- Andy Warhol's one-dimensional art 1956 - 1966
- Robert Watts: Animate objects, inanimate subjects
- The posters of Lawrence Weiner