Harem : colonial fiction and architectural fantasm in turn-of-the-century France

কিউআর কোড

Harem : colonial fiction and architectural fantasm in turn-of-the-century France / Emily Apter

গ্রন্থ-পঞ্জীর বিবরন
প্রকাশিত:	Places through the body.(1998) S. 119 - 132
প্রধান লেখক:	Apter, Emily (Author)
বিন্যাস:	প্রবন্ধ
ভাষা:	German
সম্পর্কিত উপাদান:	In: Places through the body.(1998)

অনুরূপ উপাদানগুলি

French colonial studies and postcolonial theory
অনুযায়ী: Apter, Emily

"Figura Serpentinata" : visual seduction and the colonial gaze
অনুযায়ী: Apter, Emily

Terrestrial Humanism : Edward W. Said and the Politics of World Literature
অনুযায়ী: Apter, Emily

Afterword : towards a theory of reparative translation
অনুযায়ী: Apter, Emily

Against world literature (2013)
অনুযায়ী: Apter, Emily

Warped Speech : the Politics of Global Translation
অনুযায়ী: Apter, Emily

The translation zone : a new comparative literature
অনুযায়ী: Apter, Emily
প্রকাশিত: (2006)

Continental Drift : from national characters to virtual subjects
অনুযায়ী: Apter, Emily S.
প্রকাশিত: (1999)

"Palmes!." : Fetishes of Origin in the Postsymbolist Robinsonade
অনুযায়ী: Apter, Emily S.

Global "Translatio" : the "invention" of comparative literature, Istanbul, 1933
অনুযায়ী: Apter, Emily

Against world literature : on the politics of untranslatability
অনুযায়ী: Apter, Emily S.
প্রকাশিত: (2013)

Fantasmes de la fiction : fantasmes de l'écriture
অনুযায়ী: Vareille, Jean-Claude

Fantasm and fiction : on textual envisioning
অনুযায়ী: Schwenger, Peter
প্রকাশিত: (1999)

Civilisation et divagations : mort, fantasmes, science-fiction
অনুযায়ী: Thomas, Louis-Vincent
প্রকাশিত: (1979)

Writing lives and 'worlds' : English fictional biography at the turn of the 21st century
অনুযায়ী: Lusin, Caroline

Corporate architecture : turning physical settings into symbolic resources
অনুযায়ী: Berg, Per OLof, অন্যান্য

Building on disapperance : Hong Kong architecture and colonial space
অনুযায়ী: Abbas, Ackbar

Paradigmes et paroxysmes: les fantasmes de Zola
অনুযায়ী: Riffaterre, Michaël

Turning around the century : modernism's ends
অনুযায়ী: Shaw, Mary L.

France coloniale ou parti colonial?
অনুযায়ী: Ageron, Charles-Robert
প্রকাশিত: (1978)

The freestanding column in eighteenth-century religious architecture
অনুযায়ী: Picon, Antoine

Theaters of conversion : religious architecture and Indian artisans in colonial Mexico
অনুযায়ী: Edgerton, Samuel Y., অন্যান্য
প্রকাশিত: (2001)

Nabokov and some turn-of-the-century English writers
অনুযায়ী: Sisson, Jonathan B.

The turn of the century : modernism and modernity in literature and the arts
প্রকাশিত: (1995)

Reading architecture : building and text in nineteenth-century Russia
অনুযায়ী: Craft Brumfield, William

The turn of the century : German literature and art, 1890 - 1915
প্রকাশিত: (1983)

The influence of Cervantes in France in the Seventeenth Century
অনুযায়ী: Crooks, Esther J.
প্রকাশিত: (1931)

Popular Theatres of nineteenth century France
অনুযায়ী: MacCormick, John
প্রকাশিত: (1992)

Architecture
অনুযায়ী: Winters, Edward

Architecture
অনুযায়ী: Winters, Edward

Architecture
অনুযায়ী: Graham, Gordon

Sui generis : heredity and heritage of genius at the turn of the eighteenth century
অনুযায়ী: Willer, Stefan

Wondrous difference : cinema, anthropology, and turn-of-the-century visual culture
অনুযায়ী: Griffiths, Alison
প্রকাশিত: (2002)

Salome and Ophelia : the portrayal of women in art and literature at the turn of the century
অনুযায়ী: Brokoph-Mauch, Gudrun

The symbol in the austrian literature of the turn of the century : problems and attempted solutions
অনুযায়ী: Hoppe, Manfred

Degeneration and 'Alienism' in early nineteenth century France
অনুযায়ী: Cartron, Laure

Modes of romantic irony in nineteenth-century France
অনুযায়ী: Bourgeois, René

Women, science and sound in nineteenth-century France
অনুযায়ী: Sykes, Ingrid
প্রকাশিত: (2007)

Signs of Power and the Power of Signs in Bucharest at the Turn of the 19th Century
অনুযায়ী: Net, Mariana

Insight versus entertainment : untimely meditations on the architecture of twentieth-century art museums
অনুযায়ী: Lampugnani, Vittorio Magnago