From Lundu and Modinha to Samba de Enredo and MPB : Popular Music and the Fiction of Jorge Amado

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From Lundu and Modinha to Samba de Enredo and MPB : Popular Music and the Fiction of Jorge Amado / Charles A. Perrone

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Foilsithe in:	Jorge Amado : new critical essays.(2001) S. 173 - 190
Príomhchruthaitheoir:	Perrone, Charles A. (Údar)
Formáid:	Alt
Teanga:	German
Le fáil in:	In: Jorge Amado : new critical essays.(2001)

Míreanna comhchosúla

The Early Jorge Amado
de réir: Oliveira, Celso Lemos de

Jorge Amado : new critical essays
Foilsithe / Cruthaithe: (2001)

Questioning Jorge Amado`s Fictional Women-of-Color : Tereza Batista as Legend or Heroine?
de réir: Quinlan, Susan Canty

Jorge Amado and the Classical Tradition : Aristophanes in Bahia
de réir: Martinez-Vidal, Enrique

The Immanent Imp : Humor in the Later Works of Jorge Amado
de réir: Vincent, Jon S.

The Vox Populi in the Novels of Jorge Amado and John Steinbeck
de réir: Fitz, Earl E.

Hybridity vs. Pluralism : Culture, Race, and Aesthetics in Jorge Amado
de réir: Vieira, Nelson H.

From 'Criticism and Fiction'
de réir: Howells, William Dean

A Character in Spite of Her Author : Dona Flor Liberates Herself from Jorge Amado
de réir: Lowe, Elizabeth

Jorge Amados Mulattin Gabriela : die unwiderstehliche Verführung der Natürlichkeit
de réir: Neumann, Martin

Gabriela Cravo e Canela : Jorge Amado and the myth of the sexual mulata in Brazilian culture
de réir: Guerreiro Ramos Bennett, Eliana

Jorge and Zelia Amado`s Long Visit to Pennsylvania State University in 1971 : Surprise and Success
de réir: Moser, Gerald

Popular fiction
de réir: Meskin, Aaron

Emotion as social emergence: perspectives from music sociology
de réir: DeNora, Tia

The "orribile" and the "pastorale" in Literature and Music from Poliziano to Berlioz
de réir: Walker, Steven F.

Popular Shaping of Metropolitan Forms and Processes in Nigeria: Glimpses and Interpretations from an Informed Lagosian
de réir: Ahonsi, Babatunde A.

Ambiguity Lost : Jorge Amado`s A morte e a morte de Quincas Berro Dagua on Film
de réir: Brower, Keith H.

From
de réir: Mosquera, Gerardo

Chartism and popular fiction
de réir: Devereux, Steve

Marxism and popular fiction
de réir: Bennett, Tony
Foilsithe / Cruthaithe: (1981)

Sign conceptions in music from the 19th century to the present
de réir: Tarasti, Eero

Readings from aquí y allá : music, commercialism, and the Latino-Caribbean transnational imaginary
de réir: Dalleo, Raphael

From text to hypertext : decentering the subject in fiction, film, the visual arts, and electronic media
de réir: Gaggi, Silvio
Foilsithe / Cruthaithe: (1998)

Lautréamont américain
de réir: Perrone-Moises, Leyla

From Vico to Cassirer to Langer
de réir: Seboek, Thomas A.

From American Western to Canadian Northern: Images of the Canadian North in Early Twentieth-Century Popular Fiction in Canada
de réir: Groß, Konrad

Voices from Chernobyl : the oral history of a nuclear disaster
de réir: Aleksievič, Svetlana A.
Foilsithe / Cruthaithe: (2006)

Death and the mother from Dickens to Freud : Victorian fiction and the anxiety of origins
de réir: Dever, Carolyn
Foilsithe / Cruthaithe: (1998)

From de Sade to Stephen King : the literary aesthetics of evil
de réir: Stephens, Anthony

From cosmology to ontology through resonance : a Chinese interpretation of reality
de réir: LeBlanc, Charles

Sign conceptions in music from the Renaissance to the early 19th century
de réir: Baroni, Mario

From "Hawthorne"
de réir: James, Henry

From an interview
de réir: Arendt, Hannah

From Orientalism
de réir: Said, Edward W.

From Orientalism
de réir: Said, Edward W.

Humanism and orientalism in the translation from Arabic into Latin in the middle ages
de réir: Burnett, Charles

Christmas stories from "Household words" and "All the year round"
de réir: Dickens, Charles
Foilsithe / Cruthaithe: (1933)

"Scharf wie ein Messer." : Chéri Samba im Gespräch mit Bernard Marcadé
de réir: Samba, Chéri

Malandro Heaven : Amado`s Utopian Vision
de réir: Dixon, Paul B.

Striking a Balance : Amado an the Critics
de réir: Chamberlain, Bobby J.