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030117s2001 gw ger d |
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|a 0-375-42156-4
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| 084 |
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|a KU 1A
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| 090 |
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|a KU 1A *Ber/Sel
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| 100 |
1 |
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|a Berger, John
|4 aut
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| 245 |
1 |
0 |
|a Selected essays
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| 243 |
1 |
0 |
|a Sammlung
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| 264 |
|
1 |
|a New York :
|b Pantheon Books,
|c 2001
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| 300 |
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|a XIII, 588 S.
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| 505 |
1 |
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|a Drawing -- Jackson Pollock -- Henry Moore -- Juan Gris -- Jacques Lipchitz -- Ossip Zadkine -- Fernand Léger -- Pablo Picasso -- Henri Matisse -- Oskar Kokoschka -- The Clarity of the Renaissance -- The calculations of Piero -- Poussin's order -- Watteau as the painter of his time -- The honesty of Goya -- The dilemma of the romantics -- Millet and labour -- The politics of Courbet -- Gauguin's crime -- The moment of cubism -- The historical function of the museum -- The changing view of man in the portrait -- Art and property now -- Image of imperialism -- Nude in a Fur Coat : Rubens -- The Painter in His Studio: Vermeer -- Et in Arcadia Ego: Poussin -- The Maja Dressed and The Maja Undressed: Goya -- Matthias Grünewald -- L. S. Lowry -- Henri de Toulouse-Lautrec -- Alberto Giacometti -- Pierre Bonnard -- Frans Hals -- Auguste Rodin -- Peter Peri -- Zadkine -- Le Corbusier -- Victor Serge -- Walter Benjamin -- Drawings by Watteau -- Fernand Leger -- Thicker than Water (Corot) -- Painting a landscape -- Understanding a photograph -- The political uses of Photo-Montage -- The sight of a man -- Revolutionary undoing -- Past seen from a possible future -- The nature of mass demonstrations
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| 505 |
1 |
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|a -- Speech on accepting the Booker Prize for Fiction -- Why look at animals? -- The suit and the photograph -- Photographs of agony -- Paul Strand -- Uses of photography -- The primitive and the professional -- Millet and the peasant -- Seker Ahmet and the forest -- La Tour and humanism -- Francis Bacon and Walt Disney -- An Article of faith -- Between two Colmars -- Courbet and the Jura -- Turner and the Barber's shop -- Rouault and the suburbs of Paris -- Magritte and the impossible -- Romaine Lorquet -- Field -- The white bird -- the storyteller -- The eaters and the eaten -- On the Bosphorus -- The theatre of indifference -- Modigliani's alphabet of love -- The Hals mystery -- In a Moscow cemetery -- Ernst Fischer: a philosopher and death -- Francois, Georges and Amélie: a requiem in three parts -- Drawn to that moment -- The eyes of Claude Monet
|
| 505 |
1 |
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|a -- The Work of art -- Mayakovsky: his language and his death [/ with Anya Bostock] -- The hour of poetry -- Leopardi -- The production of the world -- The first and last recipe: Ulysses -- Ev'ry time we say goodbye -- That which is held -- A load of shit -- Mother -- A story for Aesop -- The ideal palace -- Imagine Paris -- A kind of sharing -- Christ of the peasants -- A professional secret -- Ape theatre -- The opposite of naked -- A household -- Drawing on paper -- Erogenous zone -- The soul and the operator -- The third week of August, 1991
|
| 650 |
|
4 |
|a Malerei
|
| 650 |
|
4 |
|a Geschichte
|
| 655 |
|
4 |
|a Aufsatzsammlung
|
| 700 |
1 |
|
|a Dyer, Geoff
|4 edt
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| 952 |
|
|
|i 2003:260
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| 099 |
1 |
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|a 20030117
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