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|a 0-262-02454-3
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| 084 |
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|a KU 1A
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|a KU 1 20
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| 090 |
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|a KU 1A *Buc/Neo
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| 100 |
1 |
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|a Buchloh, Benjamin H. D.
|4 aut
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| 245 |
1 |
0 |
|a Neo-avantgarde and culture industry
|b essays on European and American art from 1955 to 1975
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| 243 |
1 |
0 |
|a Sammlung
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| 264 |
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1 |
|a Cambridge, Mass. [u.a.] :
|b MIT Press,
|c 2000
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| 300 |
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|a XXXIII, 592 S. : Ill.
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| 490 |
1 |
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|a October books
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| 505 |
1 |
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|a Michael Asher and the conclusion of modernist sculpture -- Beuys: the twilight of the idol : preliminary notes for a critique -- Marcel Broodthaers: Open letters, industrial poems -- The museum and the monument : Daniel Buren's "Les couleurs / les formes" -- Memory lessons and history tableaux : James Coleman's archaelogy of spectacle -- Moments of history in the work of Dan Graham -- Hans Haacke: Memory and instrumental reason -- Hantaï / Villeglé and the dialectics of painting's dispersal -- Plenty or nothing : from Yves Klein's "Le vide" to Arman's "Le plein" -- Knight's moves : Situating the art/object -- Structure, sign, and reference in the work of David Lamelas -- Parody and appropriation in Francis Picabia, pop, and Sigmar Polke -- Readymade, photography, and painting in the painting of Gerhard Richter -- Process sculpture and film in Richard Serra's work -- Spero's other traditions -- Villeglé: from fragment to detail -- Andy Warhol's one-dimensional art 1956 - 1966 -- Robert Watts: Animate objects, inanimate subjects -- The posters of Lawrence Weiner
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| 650 |
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4 |
|a Europa
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| 650 |
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4 |
|a USA
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| 650 |
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4 |
|a Avantgarde
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| 650 |
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4 |
|a Kunst
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| 650 |
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4 |
|a Kulturindustrie
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| 655 |
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4 |
|a Geschichte 1955-1975 / Aufsatzsammlung
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| 952 |
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|i 2001:770
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| 099 |
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|a 20010620
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